BBC interview

I was recently interviewed by the BBC travel program, Holiday, about life in Tokyo. In the broadcast, presenter and interior designer Laurence Llewelyn-Bowen tries sushi at Tsukiji fish market, sits in on a kendo class, visits Akihabara electronics town, and concludes that Westerners no longer find Tokyo "difficult to translate" because they've become a lot more literate in the Japanese lifestyle.

I agree somewhat. It's increasingly more difficult to shock friends from Britain or th U.S. with the latest gadgets or gory seafood because they've already seen it all on Discovery channel or tried it at their local Japanese restaurant.

As an English language reporter in Tokyo, I try to "translate" the city into Western terms every day -- but after two years I feel like I'm just getting to grips with the differences. And there's much more to Tokyo culture than sushi and electronics.

Laurence was brilliant but absolutely wacky--he spent a week in Tokyo in a sparkling white, butt-tight suit. No wonder he doesn't find Tokyo that strange.

Photo: With Laurence at the Gonpachi restaurant in Tokyo. BBC 1 aired the episode on Jan. 24.

BBC Holiday Web site

Funny old man: A night out at rakugo

The Parco theater is an unlikely setting for a centuries-old entertainment form: it sits atop a mall at the center of hip, ultra-modern Shibuya, minutes away from the busy crossing of "Lost in Translation" fame.

But rakugo comedian Shinosuke Tatekawa returns to Parco every year for a month-long run of "Rakugo" shows, part of his drive to bring 18th-century merrymaking to a younger generation more used to chuckling at YouTube clips.

Saturday's show kicked off to a tune on traditional drums and flute, with a single zabuton mattress at the center of the stage. The audience erupted in cheers as Shiosuke shuffled in -- after 10 years of performances here, he has become a Shibuya favorite.

The zabuton is an important element in rakugo, seemingly allowing the rakugo-ka, or comedian, to lean back and forth for emphasis. That might seem subtle, but subtlety is at the heart of a rakugo performance: the rakugo-ka weaves together comic tales using just his voice, facial expressions, a hand towel and foldable fan, which he might use to imitate talking on the phone, or to point at the audience.

The audience is an important rakugo element, too, and Shinosuke slipped back and forth between a conversation with the crowd, and the imaginary world of his stories.

One story was about a modern-age young man visited by Japan's mythical seven lucky gods. Japan's young have forgotten the ancient deities, who must peddle their services as door-to-door salesmen, Shinosuke said. The tale, and how he told it, was hilarious.

Shinosuke also quipped about a recent scandal at the Japanese confectioner, Fujiya, which was found to have routinely sold cream puffs made from old milk. Kabuki has long served as an outlet for social commentary and satire, albeit in veiled form.

Parco presents Shinosuke Rakugo runs most days in January.

Shinosuke Tatekawa's home page (Japanese)
What Makes the Japanese Laugh? The Art of Wordplay and Storytelling, Asia Society
Rakugo: universal laughter, Honolulu Star Bulletin

New art: Kaoru Hirano

Installation artist Kaoru Hirano pulls apart the fine weave of clothes, thread by thread, and rebuilds their forms by retying the threads.

Her new work at Ginza's Shiseido Gallery is a reworking of an old dress once worn by a friend. After two months of pulling apart and tying back together (Hirano started the work in November), the concrete shape of the dress has morphed into an airy cobweb of multicolored fibers.

The installation, "Aerosol," is a work in progress -- you can see Hirano add to the piece at the gallery's weekly "public viewings."

She told me during Saturday's public viewing:

"You can take apart someone's clothes, but there's a history that remains in the fibers. This work rebuilds that history."

The exhibit, part of Shiseido's art egg project showcasing young artists, runs till Sunday, Feb. 4. The next public viewing session is on Feb. 3.

Image from Tokyo Art Beat

Fitness, Tokyo style: Oxygen pod, detox foot bath and vibration machine

To get some fresh oxygen in Tokyo, or rid yourself of toxins, or lose some of that holiday flab, you could hop on a train to the countryside, go on a macrobiotic diet, or simply get some exercise.

Or, you can go to Oxygen Refreshing Salon O2 Paradise in Shimbashi to lie in an oxygen pod, get a detox foot spa, or ride a fat-burning vibration machine.


Our session started out with a foot bath, which my friend and I were told contained negative ions that would strain our bodily toxins from the bottom of our feet.

After about 10 minutes of immersing, the water in my foot bath started turning yellow and foamy -- I had to stop watching. I think I saw black specks too, which the spa worker said were preservatives that had been stuck in my body.

Then we went for a ride on the vibration machine, or "Buru Buru Machine" in Japanese, which was like a treadmill that shakes. Ten minutes of being shaken on the machine burns as much fat as running for an hour, the spa worker said.

Our session ended with 60 minutes in an oxygen pod, a plastic capsule that gets filled with oxygen and is supposed to penetrate to your organs and make you younger (and taller, because the air gets between the sections of your spine, we were told).


The problem with my pod was that it smelt like the inside of a new car -- it must have been the rubber tubes the oxygen traveled through. I also got bored looking at the inner plastic lining and wished I had brought a good book.

My friend said she almost suffocated because it was too tight and hot. "I felt like a foot inside a ski boot," she said.

Still, we did each get about 5 mm taller.

Verdict: next week, we're planning a trip out of Tokyo to get some real oxygen.

Photos from Oxygen Refreshing Salon O2 Paradise

Tokyo gets a new museum

Kajima Corporation

Tokyo got its latest cultural infusion on Jan. 21 with the launch of the National Art Center, Tokyo, or NACT, a mammoth new museum just minutes from the busy station crossing,

Designed by Japanese architecture legend Kisho Kurokawa, the NACT is another corner of the so-called "Art Triangle Roppongi" with nearby Mori Art Museum and the renovated Suntory Museum of Art, which opens on March 30.

The NACT's undulated glass facade might look grander if you could actually see the whole length of it. But it's hard to -- the building is squashed in between an awkwardly positioned research center and rows of houses, and you can't seem to walk far enough away to take in the whole structure.

(There is a great view of the museum, though, from the observatory on the 51st floor of Roppongi Hills Mori Tower.)

Entering the NACT creates a sense of walking into an unexpectedly large space -- 14,000 sq. meters of it, in fact. The giant foyer with two cafes perched on top of separate flower-pot-shaped concrete blocks is a nice eccentric touch, but the layout is otherwise very standard.

Showing till Feb. 4, free of charge, is "Power of Expression, Japan," a wild walk through Japanese art and pop culture in the 20th century: Godzilla suits and Space Invader arcade machines to works by contemporary Japanese artists like Tabaimo and Yasuhiro Suzuki.

Suzuki's "Blinking Leaves" is a particularly fun piece of art. You can get a sense of it here: mabataki

The NACT, which has no permanent collection of its own, is also showing "Living in the Material World -- 'Things' in Art of the 20th Century and Beyond." The center has a restaurant, three cafes and an art shop.

NACT English Web site

Only best for a graying population -- of pets

Dec. 28, 2006
By Hiroko Tabuchi

Andy has sprouted white whiskers, suffers from lower back pain and no longer bounds up the stairs like he used to.

Still, the 11-year-old Siberian husky isn't lying idle: Every week he meets his personal trainer for a run on an underwater treadmill, does laps in a doggy pool to strengthen his hind legs and unwinds with a hot spa and massage session.

The boom in pet ownership in Japan has led to a new phenomenon: legions of elderly animals that doting masters pamper with fortified food and vitamins, aromatherapy and even acupuncture.

"I want to do everything I can for Andy. He's part of the family," said Aya Ashiya, 50, of Tokyo as she ran around the swimming pool with a squeeze toy, cheering the husky on during a recent session at the dog aqua fitness gym El Perro.

"We've been together for so long, and we've really learned to communicate," Ashiya said. "I just want him to stay healthy for as long as possible."

AP Photo by Shuji Kajiyama

Read the rest of the article on The Japan Times homepage (registration required)

Coming to a gallery near you: Homeless architecture

Sketch by Kyohei Sakaguchi

March 21, 2006
By Hiroko Tabuchi

Like many Zen-inspired structures, Okawara's hut is a monument to simplicity. The size of a large tool shed, the wooden building blends seamlessly with the surrounding park. His door opens to a full view of Tokyo's Tama River.

Okawara is not your typical architect: He's homeless. But the elegant austerity of his hut and thousands of others like it has turned the country's destitute into unwitting purveyors of an emerging art form that's catching the eye of international connoisseurs.

The dwellings -- carefully built, meticulously kept and collapsible for quick movement when police move in -- have inspired a rash of art books, and Japanese promoters are discussing them with curators in North America and Europe.

"These homes embody simplicity and functionality and are at one with their environment, like the tea house of Sen Rikyu," said architect Kyohei Sakaguchi -- author of a study of homeless architecture titled "Zero Yen Houses" -- referring to a 16th-century tea master who preached frugality through the art of tea ceremony.

Read the rest of the article on The Japan Times homepage (registration required)

Kyohei is running a workshop and exhibit at the World Social Forum 2007 in Nairobi, Kenya, till Jan. 28.

>>See Kyohei Sakaguchi's Web site>>